The Art of Information Warfare

January 5, 2026

The battle in which we are immersed is one to awaken the masses to a very unpleasant reality. — Martin Geddes

We have an army of digital soldiers…This was an insurgency. …This was irregular warfare at its finest. — General Michael Flynn

From canon fodder to info warriors

Thankfully, astute and foresightful observers in our midst in the West dared to speak the unspeakable and confront our uncomfortable reality. One of them was English author, Martin Geddes, who published an essay entitled “The Silent War and Digital Soldiers” on February 27, 2020. In this essay, he wrote the following regarding the nature of silent wars:

Its occult nature is that Silent War happens in the shadows, under the ground, in secret, in the skies, and beyond perception. Just as the Cold War was “like industrialized war, but visibly fought everywhere between nations, this Silent War is like ye olde war, but invisibly fought everywhere and by everyone.

It will soon be six years since Geddes wrote those words and unfortunately many people have yet to come to terms with the reality of an on-going silent war. In their insistence on normalcy, they are compelled to engage in denial and that makes them easy targets for the practitioners of fifth generation warfare. At some point, it can be said that they are captives and potential casualties of their own paradigm or worldview.

I casually assessed our battlefield prospects in our struggle against totalitarian globalists back in 2017 and was shaken to my core. The forces arrayed against us appeared overwhelming. The picture had the disproportion of a classic David versus Goliath struggle. The globalist establishment not only had all the advantages of incumbency, it also possessed advanced psychological weaponry and vast armies of highly-trained and dedicated operatives. It’s propaganda machine and related capability for mass mind control were truly formidable. Taking down a sleeping populace looked about as challenging as catching fish in a barrel.

I admit that I hadn’t glimpsed the entirety of the earthly and galactic forces that had joined our cause of freedom, But it’s clear that a great deal has changed since 2017. I am referring specifically to the robust fighting capabilities of the Resistance. Yes, it’s been a bloody conflict and we’ve experienced a lot of casualties, but the Cov-Vaxx-a-demic was a turning point. Our members emerged battle-hardened, heartened by our successes. We learned how to counter the enemy’s cognitive warfare tactics. We’re no longer easily defeated by its psy ops or deceived by its false flags. We know our enemy is a cunning deceiver by nature and its moral frame is inverted. And we have learned something of the art of war.

We also understand this is an inter-dimensional struggle and surrender was never an option. A glimpse of the outline of the dystopian Great Reset was enough. We decided we had no intention of becoming indentured servants bowing to the global technocracy’s AI god. Our struggle isn’t over, but the tide has turned and we’re hearing reports that the forces of light and truth have prevailed.

A change in strategy

It’s against this backdrop of a shifting tide in the info war, I celebrated a small personal victory two weeks ago. The occasion was the publication of my first serious book. There it was on Amazon’s virtual book shelf. Beneath the image of the book’s cover in the “Products related to this item” section sat Margaret Atwood’s, “The Handmaid’s Tale”. Well, okay, while the profile is flattering,”Boys to Men” bears no resemblance in terms of story line, message or the philosophical bent of the author.

The book was conceived at the height of the Co-vaxx campaign launched in March of 2020. Members of the freedom community had struggled to open the eyes of fellow humans to the dark reality of the psy op of the century with limited success. Despite our sharing facts and figures, thousands of articles, published studies, insider warnings, and cautionary reports with family, friends and neighbours, much of it fell on deaf ears. Perversely, it triggered hostile blowback from our propagandized subjects.

Eventually, it occurred to some of us that since logic and facts had failed to engage minds, a more creative, right-brain approach was in order. It was time to exploit the more subtle communicative potential in art, story, drama, and film. This analysis and strategic thinking led to my book, “Boys to Men: A Brothers-in-Arms Tale From the Annals of the Global Biowar (2020-2023)”.

Presenting truth via fiction

The story concerns a fictitious biological war launched by Globalist tyrants against the unsuspecting citizens of Shadow Valley, their country of Khanaduh and the larger world. A conscience-stricken whistleblower, aware of the devious plot, shares his dark discovery with two, curious teenage boys and their parents. The two families (best friends) accept the challenge of leading the local resistance network, pitting them against a merciless medical-pharma-media industrial complex. The similarities between the struggle of the members of the Shadow Valley Resistance and the 2020-2023 “real world” counter-vaxx insurgency are too obvious for readers to ignore.

The publication of the book is a win on multiple counts. First, while the story is fiction, it’s “true fiction”, penetrating the shroud of official silence and censorship surrounding the devastating Plandemic. If it takes fiction to reveal the unpleasant truth to the world, so be it! Second, the story exposes the dark character and diabolical tactics of our globalist adversaries and their minions. Suffice to say many of them continue to pose as enlightened benefactors and noble medical protectors to this day (for some it’s pure delusion and it’s cost them their lives). The book exposes many of their big boss’s methods including an old favourite — disguising evil as virtue. In this case, it was conducting a faux emergency health campaign (a “Plandemic”) that devastated a large swath of the population physically, psychologically, socially and financially.

Satirical mockery is the rebel’s weapon and it’s embedded in the names of leading characters and institutions referenced in the book. Discerning readers will have no difficulty recognizing the moral inclination of the fictitious director of the fictitious World Diseases Organization (WDO), Tedious Abraseous Adnauseum. Nor will they be left guessing regarding the profits-before-people mission of the greedy, big ph*rm* predator, “Rotshizer”. Equally identifiable is the programmed, globalist puppet serving as Khanaduh’s PM, Mr. “I.M. Lying”.

Artful insurgency — a long standing tradition

There’s a long-standing tradition of employing artful insurgency against oppressive Powers- that-Be and exposing their criminality. A weapon that combines entertainment and critique can penetrate Establishment defences like nothing else. Centuries ago, court-appointed jesters lampooned the political Establishment while entertaining kings and and knights. In fact, their role was sanctioned by their employers. Wikipedia describes the Jester’s privilege:

Jester’s privilege is the ability and right of a jester to talk and mock freely without being punished. As an acknowledgement of this right, the court jester had symbols denoting their status and protection under the law.

Often, it’s the king that needs to be exposed. In Shakespeare’s Hamlet, the King was suspected of murder. Hamlet didn’t accuse him directly, but used the more subtle approach of staging a drama in an attempt to elicit a tangible sign of Claudius’s guilt. This is the source of the famous line: ” The play’s the thing to catch the conscience of the King.” We read Martin Luther used jokes or humour in his war of words against the Catholic Church. And In the early 1990’s, the elusive UK artist, “Banksy” began leaving his trademark stencil designs on public buildings and fixtures blending humour and social commentary.

Artistic insurgency has found new relevance in the era of globalist authoritarians like the World Ec**omic For*m and the World He*lth Organization and their allies. Throughout the Plandemic, dissenters pushed back against their oppressors with memes, comedy routines and video spoofs. Our tacticians turned the pernicious Dr. Fa_c_ into Pinocchio, his exaggerated nose comprised of five or six nested medical face masks. They cleverly captured the Orwellian nature of the entire campaign with a succinct neologism: Covid-1984. (I coined the term, “Propagandemic”) And they produced whimsical musical parodies like the hilarious “I wear my face mask in my car” set to the tune of Cory Heart’s pop hit, “I wear my sun glasses at night”. The piece brilliantly skewered the absurdity of extreme mask wearers eager to signal their compliance to the world,

The best memes are infectious. And the most powerful parodies persist in our collective memory long after they first appear. They can puncture our adversaries’ fabrications like balloons. And importantly, they ease the tension for weary combatants caught up in a life and death struggle. The laughter they trigger buoys dissenters’ spirits while affirming the the righteousness of their cause. And In the process, they shrink the stature of the enemy from that of intimidating giant to that of pathetic nutcase.

Jazzy defiance

Two weeks ago, while enjoying the sweetness of the “Boys to Men” win with my sister, I relayed another satirical piece of work to her via text. It was a polished musical parody entitled “Fifteen Minute Cities” by Awakenet Raydio. The song was breathily delivered by an accomplished songstress in the sultry style of Michelle Pfieffer in the The Fabulous Baker Boys “Making Whoopi” (1989). Her accompanied was laid back piano bar jazz. It was defiant mockery of our would-be overseers’ ambitions to lure us into their digital prisons. The calm impudence of the lyrics was a refreshing contrast to both the anxious supplication and the angry “F” bombs typically directed at our would-be overlords.

“I’m very curious what your opinion is on 15 minute ci…tiesssss,

“This is something that i guess … it’s a new idea that we’re only beginning to hear about.

Maybe you can actually remind us what they are … and I understand they’re coming in Europe now,

There’s legislation pushinggg … that direction allll……ready. (brushes caress the snare drum) Yes, … it is…

The digital greeeeen certificate….the Covid pass — that was a test balloonnnn to get people used to having to produce some kind of a QR code … just getting people used to that …

Now what they’re slamming us with is these 15 minute cities …

Make no mis….take, it’s not about your convenience. (stringed accompaniment begins)

It’s not that they want you to be able to have all of these places that you neeeeed to get to, very close. And it’s not about saving the planet either … by the way …

The 15 minute cities, they will have to have those before they can lock you downnn

And that’s what we’re talking about here.. (Cont’d)

My sister and I were both laughing as “15 minute cities” played in the background. I suggested she invite her husband to dance. “She responded that he was busy reading my book and summed the moment up in three words: It’s all surreal. Yes, it is bizarre, dream-like, unreal … an odd mix of reality with fantasy .. The moment was all of these and more.

Breaking with the old to welcome the new

It’s the nature of our times — a period of peak incoherence and incongruity. We straddle, on the one hand, a gasping and corrupt world order, dying under the weight of its own excesses. And on the other, we feel the tug of something new emerging at the edge of public view. The latter calls us to let go — to transcend our familiar 3D existence populated by dark forces that have preyed upon our souls for millennia.

The seers tell the new reality is truth-focused and operates on a higher, pro-human motivation and a more heavenly frequency. Ascending to this higher plane, expansive and rich in novelty, may be beyond the imagination of most. And yet, our seers continue to tease the prospect of a new Golden Age awaiting just beyond humanity’s Great Awakening.

In the interim, an army of word warriors, jesters, graphic artists, authors and film producers have been called to apply their talents to the great cause of awakening those trapped within the matrix. Our subjects are captives of the dark regime, and like the Truman character in the Truman Show (Movie 1998), they only need to see one anomaly before the questioning begins. It may only take one powerful meme or one provocative parody to trigger an avalanche of red pill-infused questions. And then the false reality will begin to unravel and a former captive will make his/her dash toward freedom. (I am seeing first hand accounts of such escapes on-line)

A few weeks ago at a family meal, I asked my daughter if my 11 year old grandson had demonstrated any talent in the meme department. It seems that he had and his portrayal of the Establishment in his world (his mother) hadn’t been flattering nor well-received. I couldn’t stifle my laughter. My daughter had no idea how much the prospect of an up-and-coming digital warrior amused and delighted me. Now I’m wondering if I should tell her about the Jester’s privilege?

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